Vol. 9 No. 2 (2022): JURNAL BASIS UPB

BASIS VOLUME 9 NO 2 OCTOBER 2022

• ILLOCUTIONARY FORCE OF SLANG WORDS IN "RAMPAGE" 2018 MOVIE

  Ayu Ratri, Ouda Teda Ena, Barli Bram

  121-132

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• SELF-DISCOVERY: PSYCHOANALYSIS OF THE FILM BOHEMIAN RHAPSODY (2018)

  Rudy Rudy, Irvan Ricardo .N. Samosir, Landa Kro Hutabarat

  133-144

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• WOMAN STRUGGLES TO GET THE EQUALITY IN “MOTHER COURAGE AND HER CHILDREN” DRAMA BY BRECHT

  Juita Simamora; Robby Satria

  145-156

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• EVALUATIVE LANGUAGE FEATURES ON HOAX RELATED TO METH DRUGS IN DEALING WITH COVID 19 VIRUS

  Anleny Situmeang, Muhammad Hafiz Kurniawan

  157-170

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• ERROR ANALYSIS OF ENGLISH TO INDONESIA SUBTITLE IN THE WAY WAY BACK MOVIE

  Dyansyah Aldinata, Evert Haryanto Hilman

  171-180

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• ENGLISH TEACHERS’ CHALLENGES AND STRATEGIES IN ONLINE LEARNING PROCESS DURING COVID-19

  Eva Fitri Y Siregar, Nurhayati Sitorus, Febrika Dwi Lestari, Tamara Oktapiani, Sulastri Pakpahan

  181-192

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• CODE SWITCHING FOUND IN RESEARCHERS’ WHATSAPP GROUP “SITADEWIKU”: HOW DOES CODE SWITCHING OCCUR?

  Putu Artiasih, I Gusti Agung Sri Rwa Jayantini

  193-203

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• THE REFLECTION OF SOCIAL CLASS CONFLICT IN “THE NOTEBOOK” NOVEL BY SPARKS

  Manuela Indriati Siahaan, Robby Satria

  204-212

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• CATEGORY SHIFTS AND ITS QUALITY IN “TO ALL THE BOYS: ALWAYS AND FOREVER” MOVIE SUBTITLES

  Renna Riskita, Zuhron Zuhron

  213-222

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• DECONSTRUCTION OF DEATH IN ALFRED LORD TENNYSON’S IN MEMORIAM

  Ridho Pratama Satria, Silvia Rosa, Rima Devi

  223-234

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• PRAGMATICS ANALYSIS OF COMMIT EXPRESSION ACTED BY CHARACTERS IN “FRACTURED” MOVIE

  Rintauli Sihotang; Ambalegin Ambalegin

  235-246

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• MISOGYNY IN MARGARET ATWOOD’S SURFACING

  Tri Pramesti; Mateus Rudi Supsiadji

  247-256

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• THE TYPES OF EUPHEMISM USED IN THE HEADLINE NEWS BY TEMPO.CO 2022

  Try Putera Nusri, Zia Hisni Mubarak

  257-268

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• TECHNIQUES OF TRANSLATION OF CULTURAL WORDS AND ITS QUALITY IN THE MIDNIGHT LIBRARY NOVEL

  Ulfiyatuzzuhriyyah Yatuzzuhriyyah, Evert Haryanto Hilman

  269-278

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• REPRESENTATION OF FAMILY GENDER ROLES IN “BIG LITTLE LIES” NOVEL BY LIANE MORIARTY

  Veren Angelina, Tomi Arianto

  279-290

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• THE REPRESENTATION OF GENDER BIAS IN CHILDREN’S LITERATURE KINGDOM TALE COLLECTIONS

  Atiq Aqiqoqul Hasanah Atqi

  291-302

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• THE ANXIETY THAT CONVEYING TRAGEDY IN OTHELLO DRAMA BY SHAKESPEARE

  Puja Maharani, Tomi Arianto

  303-312

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• THE RELATIONSHIP AMONG READING INTEREST, GRAMMAR KNOWLEDGE, AND READING COMPREHENSION OF NARRATIVE TEXT

  Sahril Mujani, Ahmad Sofyan, Fahriany Fahriany

  313-324

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• SEMIOTIC ANALYSIS ON KIMETSU NO YAIBA MOVIE POSTERS

  Diyah Iis Andriani, Dewi Yuli Anti

  325-338

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• STUDENT PERCEPTIONS ON PARTS OF SPEECH AFTER TAKING INTEGRATED ENGLISH

  Sjafty Nursitti NP Maili, Dewi Mutiara Indah Ayu, Endang Sondari

  339-344

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• CODE MIXING ANALYSIS IN DIVORTIARE NOVEL

  Hiace Vega Fernando Siahaan, Andi Jaihutan Silitonga, Citra Karina Purba

  345-353

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